Winner of the Portico PrizeWinner of the Edge Hill University Short Story PrizeShort-listed for the Frank O'Connor International Short Story AwardSarah Hall has been hailed as "one of the most significant and exciting of Britain's young novelists" (The Guardian). Now, in this collection of short fiction published in England to phenomenal praise, she has created a work at once provocative and mesmerizing.

The village of Marsdale is a quiet corner of the world, cradled in a remote dale in England's lovely Lake District. The rhythm of life in the deeply religious, sheltered community has not changed for centuries. But in 1936, when Waterworks representative Jack Ligget from industrial Manchester arrives with plans to build a new reservoir, he brings the much feared threat of impending change to this bucolic hamlet. And when he begins an intense and troubled affair with Janet Lightburn&#8212a devout local woman of rare passion and strength of spirit&#8212it can only lead to scandal, tragedy, and remarkable, desperate acts.

From Sarah Hall, the internationally acclaimed author of the Man Booker Prize finalist The Electric Michelangelo, comes a stunning and transcendent novel of love, obsession, and the passing of an age.

In her stunning novel, Hall imagines a new dystopia set in the not-too-distant future. England is in a state of environmental crisis and economic collapse. There has been a census, and all citizens have been herded into urban centers. Reproduction has become a lottery, with contraceptive coils fitted to every female of childbearing age. A girl who will become known only as "Sister" escapes the confines of her repressive marriage to find an isolated group of women living as "un-officials" in Carhullan, a remote northern farm, where she must find out whether she has it in herself to become a rebel fighter. Provocative and timely, "Daughters of the North" poses questions about the lengths women will go to resist their oppressors, and under what circumstances might an ordinary person become a terrorist.

An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian). 'Dark and brilliant.' SARAH MOSS 'A masterpience.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Hall has set a bar . . . Finely wrought, intellecutally brave and emotionally honest.' THE SCOTSMAN In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days. Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world. 'Sarah Hall makes language shimmer and burn . . . One of the finest writers at work today.' DAMON GALGUT 'Wonderful . . . The writing goes down smoking hot onto the page.' ANDREW MILLER 'I can think of no other British writer whose talent so consistently thrills, surprises and staggers . . . With Burntcoat she has solidified her status as the literary shining light we lesser souls aspire to.' BENJAMIN MYERS

The prizewinning debut from Britain's most exciting contemporary novelist. In a remote dale in a northern English county, a centuries-old rural community has survived into the mid-1930s almost unchanged. But then Jack Liggett drives in from the city, the spokesman for a Manchester waterworks company with designs on the landscape for a vast new reservoir. The dale must be evacuated, flooded, devastated; its water pumped to the Midlands and its community left in ruins. Liggett further compounds the village's problems when he begins a troubled affair with Janet Lightburn, a local woman of force and character who is driven to desperate measures in an attempt to save the valley. Told in luminous prose, with an intuitive sense for period and place, Haweswater remembers a rural England that has been lost for many decades.

Cy Parks is the Electric Michelangelo, an artist of extraordinary gifts whose medium happens to be the pliant, shifting canvas of the human body. Fleeing his mother's legacy -- a consumptives' hotel in a fading English seaside resort -- Cy reinvents himself in the incandescent honky-tonk of Coney Island in its heyday between the two world wars. Amid the carnival decadence of freak shows and roller coasters, enchanters and enigmas, scam artists and marks, Cy will find his muse: an enigmatic circus beauty who surrenders her body to his work, but whose soul tantalizingly eludes him.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Bringing together new, multidisciplinary research, this book explores how children and young people across Europe, Asia, Africa and the Americas experience and cope with situations of poverty and precarity. It looks at the impact of neoliberalism, austerity and global economic crisis, evidencing the multiple harms and inequalities caused. It also examines the different ways that children, young people and families 'get by' under these challenging circumstances, showing how they care for one another and envisage more hopeful socio-political futures.

Executive search, headhunting, is now one of the archetypal new knowledge intensive professional services, as well as a labor market intermediary bound up with globalization. In this book, the authors examine the key actors in the process of executive search globalization leading global firms and offer an interpretation of the forces producing the contemporary organizational strategies of global executive search. "The Globalization of Executive Search" documents the forms of institutional work that have legitimated the role of executive in elite labor markets and created demand for the services of global firms; this exposes not only the changing geographies of executive search, but also how executive search has established itself as a new knowledge intensive professional service. The authors reveal how the globalization of executive search is exemplary of the processes by which a range of new knowledge intensive professional services have come to be globally recognized, approaching the heart of contemporary capitalism."

Winner of the John Llewellyn Rhys Prize England is in a state of environmental and economic crisis. Under the repressive regime of The Authority, citizens have been herded into urban centres, and all women of child-bearing age fitted with contraceptive devices. A woman known as 'Sister' leaves her oppressive marriage to join an isolated group of women in a remote northern farm at Carhullan, where she intends to become a rebel fighter. But can she follow their notion of freedom and what it means to fight for it?

The financial crisis of 2007-8 and its aftermath have resulted in the role of money and finance within the global economy becoming the subject of considerable debate in public, policy and media circles. Global Finance is a timely look at the contemporary international financial environment, providing an introduction to this dynamic field of research for students and more advanced researchers. Drawing on economic geography, economic sociology and critical management, Hall offers a broad selection of case studies that ground critical theory in our current financial climate. Hall examines and reviews a wide range of critical approaches relating to the role of money and finance in the global economy, dividing these approaches into three key sections: Global finance and international financial centres. Global finance and the 'real' economy'. Global financial subjects and actors. The book takes a uniquely interdisciplinary approach which, combined with an international spread of case studies, makes this book highly valuable to a wide range of upper level undergraduate courses across the social sciences.

LONGLISTED FOR THE GORDON BURN PRIZE 2018

Madame Zero is a remarkable collection of dark, sensuous stories set in sometimes conflicting landscapes - rural, industrial, psychological - all of which are hauntingly resonant with dread. Whether set in an apocalyptic storm, a local swimming pool, or a surgical theatre, Hall's stories inhabit a hinterland between the natural and urban, the mundane and surreal, human and animal.

Bringing together new, multidisciplinary research, this book explores how children and young people across Europe, Asia, Africa and the Americas experience and cope with situations of poverty and precarity. It looks at the impact of neoliberalism, austerity and global economic crisis, evidencing the multiple harms and inequalities caused. It also examines the different ways that children, young people and families 'get by' under these challenging circumstances, showing how they care for one another and envisage more hopeful socio-political futures.

For almost a decade Rachel Caine has turned her back on home, kept distant by family disputes and her work monitoring wolves on an Idaho reservation. But now, summoned by the eccentric Earl of Annerdale and his controversial scheme to reintroduce the Grey Wolf to the English countryside, she is back in the peat and wet light of the Lake District. The earl's project harks back to an ancient idyll of untamed British wilderness - though Rachel must contend with modern-day concessions to health and safety, public outrage and political gain - and the return of the Grey after hundreds of years coincides with her own regeneration: impending motherhood, and reconciliation with her estranged family. The Wolf Border investigates the fundamental nature of wilderness and wildness, both animal and human. It seeks to understand the most obsessive aspects of humanity: sex, love, and conflict; the desire to find answers to the question of our existence; those complex systems that govern the most superior creature on earth.

Available Open Access under CC-BY-NC licence. Engagement with non-academic groups and actors – such as policy-makers, industry, charities and activist groups, communities, and the public – in the co-production of knowledge and real-world impact is increasingly important in academic research. Drawing on empirical research, interdisciplinary methodologies, and broad international perspectives, this collection offers a critical examination of the liminal space of interactions between policy and research as spaces of difference and engagement, showing them to be far from apolitical.

Executive search, headhunting, is now one of the archetypal new knowledge intensive professional services, as well as a labor market intermediary bound up with globalization. In this book, the authors examine the key actors in the process of executive search globalization - leading global firms - and offer an interpretation of the forces producing the contemporary organizational strategies of global executive search. The Globalization of Executive Search documents the forms of institutional work that have legitimated the role of executive in elite labor markets and created demand for the services of global firms; this exposes not only the changing geographies of executive search, but also how executive search has established itself as a new knowledge intensive professional service. The authors reveal how the globalization of executive search is exemplary of the processes by which a range of new knowledge intensive professional services have come to be globally recognized, approaching the heart of contemporary capitalism.

Originally released in the cinema as a portrait of early 1980s Britain, this fictionalized documentary about The Clash was disowned by the band after it was made and declared 'disgusting' by The Daily Mail. It is partly a study of the band and partly a story about a fictional fan, Ray Gange, who attends the band's concerts and becomes involved in the oppositional political culture of the day, joining in political demonstrations and attending the 'Rock Against Racism' tour. Over the course of the film, Ray follow the band to a number of different gigs and sees them perform such songs as 'White Riot', 'Tommy Gun' and 'London's Burning'.

From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts this is a new collection of stories inspired by the legends and tales that swirl through the history of eight different English Heritage sites. With this evocative collection English Heritage brings new voices and fresh creative alchemy to our ancient historical sites and our story-telling heritage. Also contained is essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends. New legends for modern times; sprung from our ancient lands, stories and stones.

An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian). 'Dark and brilliant.' SARAH MOSS 'A masterpiece.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Searing... Sarah Hall's best work yet.' JON McGREGOR You were the last one here before I closed the door of Burntcoat, before we all shut our doors. In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days. Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world. 'One of the best books of the year.' TELEGRAPH 'Hall has set a bar . . . Finely wrought, intellectually brave and emotionally honest.' THE SCOTSMAN 'Sarah Hall makes language shimmer and burn . . . One of the finest writers at work today.' DAMON GALGUT 'Wonderful . . . The writing goes down smoking hot onto the page.' ANDREW MILLER 'Transporting . . . A beautiful novel, full of heat and darkness.' AVNI DOSHI 'I can think of no other British writer whose talent so consistently thrills, surprises and staggers . . . With Burntcoat she has solidified her status as the literary shining light we lesser souls aspire to.' BENJAMIN MYERS

A Guardian, Financial Times and Irish Times Book of the Year Shortlisted for the James Tait Black Memorial Prize Longlisted for the Edge Hill Short Story Prize 'The queen of dark short fiction.' Guardian 'Astonishing, miraculous, a gift.' Daisy Johnson 'The best short story writer in Britain.' Spectator In Turkish forests or rain-drenched Cumbrian villages, characters walk, drive, dream and fly, trying to reconcile themselves with their journey through life and death. Radical, charged with a transformative, elemental power, each of these stories invites us to stand at the very edge of our possible selves.

Revenge of the Lawn is Richard Brautigan in miniature and contains no fewer than 62 ultra-short stories set mainly in Tacoma, Washington (where the author grew up) and in the flower-powered San Francisco of the late fifties and early sixties. In their compacted form, which ranges from the murderously short 'The Scarlatti Tilt' to one-page wonders like the sexually poignant poetry of 'An Unlimited Supply of 35 Millimetre Film', Brautigan's stories take us into a world where his fleeting glimpses of everyday strangeness leave stories and characters resonating in our heads long after they're gone.

Originally released in the cinema as a portrait of early 1980s Britain, this fictionalized documentary about The Clash was disowned by the band after it was made and declared 'disgusting' by The Daily Mail. It is partly a study of the band and partly a story about a fictional fan, Ray Gange, who attends the band's concerts and becomes involved in the oppositional political culture of the day, joining in political demonstrations and attending the 'Rock Against Racism' tour. Over the course of the film, Ray follow the band to a number of different gigs and sees them perform such songs as 'White Riot', 'Tommy Gun' and 'London's Burning'.

Walking ahead of him on the heath, his wife turns to look at him over her shoulder, 'Topaz eyes glinting. Scorched face. Vixen.'

In language harvested from nature, Sarah Hall tells a story of metamorphosis, of wildness and fecundity, and of a man reaching for reason, who cannot let go of the creature he loves.